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Vivienne Tam moved away from her signature East-meets-West aesthetic with a spring 2011 collection that was more beachy and bohemian than tailored and elegant.

The show opened promisingly with a series of crochet and lace garments in muted beiges and soft ivories. Wearable, ’60s-inspired shift dresses and ’70s-inspired bell-sleeves were unassuming, while a relaxed, ankle-length drawstring pant in striking cream lace was covetable. Light-weight denim played prominently in the collection and was used most successfully in Asian-influenced jackets and vests featuring mandarin collars and silk, frog-buttons.

The third pass was a series of nondescript ethnic prints in blue, green, and red separates worn together indiscriminately and accessorized with chunky jewelry and appliquรฉs that seemed crafty, not artistic. A silk, gypsy blouse was attractive and silk bubble pants that knotted at the ankle were fresh in a variety of patterns, but the duo of tank dresses overlaid with sheer, pink lace tunics looked dangerously similar to grandmaโ€™s tablecloth.

Overall, the majority of loose silhouettes seemed best suited for the beach, and details like handkerchief hems and crochet-necked halter tops came off as unoriginal, even sloppy.

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