Today Spoleto Festival USA released the name of their original opera, premiering at next year’s festival, commissioned by Grammy Award winner Rhiannon Giddens and based on the autobiography of Omar Ibn Said, an enslaved Muslim-African man who was brought to Charleston in 1807.
The opera will be called Omar.
Tracing Said’s spiritual journey from Africa to his capture and enslavement in the Carolinas, Omar is a team effort from a number of artists including Giddens, composer Michael Abels, fest director Nigel Redden, director of orchestral activities John Kennedy, and more.
It seems fitting that the name of this opera would be released today, Fri. Oct. 25, the same day of the groundbreaking of Charleston’s International African American Museum. The museum will be constructed on the site of Gadsden’s Wharf, where up to 40 percent of American slaves, including Said, came to America.
Earlier this year Giddens spoke about the importance of Said’s story: “My work as a whole is about excavating and shining a light on pieces of history that not only need to be seen and heard, but that can also add to the conversation about what’s going on now. This is a story that hasn’t been represented in the operatic world — or in any world.”
Interested in how the opera is coming together? Spoleto’s director of artistic planning and operations, Nicole Taney, answers some questions on the fest’s blog.
Learn more about Spoleto Festival USA online at spoletousa.org. Keep the City Paper free We don't have a paywall. Each week's printed issue is free. We're local, independent and free. Let's keep it this way. Please consider a donation of $100 to keep the City Paper free. Donate: chscp.us
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