Posted inArts+Movies, Film Reviews In Poetry, the literary form helps a woman cope with life by Felicia Feaster March 30, 2011
Posted inArts+Movies, Film Reviews Aesthetic proves more urgent in Somewhere by Felicia Feaster March 23, 2011
Posted inArts+Movies, Film Reviews Another Year is kind to couples but not to singles by Felicia Feaster March 23, 2011
Posted inArts+Movies, Film Reviews Paul feels like a guest who’s overstayed his welcome by Felicia Feaster March 16, 2011
Posted inArts+Movies, Film Reviews Ed Helms plays the stunted hero in Cedar Rapids by Felicia Feaster March 10, 2011
Posted inArts+Movies, Film Reviews The Adjustment Bureau too long-winded to be effective by Felicia Feaster March 2, 2011
Posted inArts+Movies, Film Reviews Exploits of Jack Abramoff are as funny as cancer by Felicia Feaster February 23, 2011
Posted inArts+Movies, Film Reviews The Illusionist animates a Tati screenplay by Felicia Feaster February 16, 2011
Posted inArts+Movies, Film Reviews Barcelona becomes Gomorrah in Biutiful by Felicia Feaster February 9, 2011
Posted inArts+Movies, Film Reviews Falling in and out of love in Blue Valentine by Felicia Feaster January 26, 2011