Posted in2023 Piccolo + Spoleto Spoleto to premiere new opera for 2024: ‘Ruinous Gods’ by Piper Starnes June 10, 2023June 12, 2023
Posted in2023 Piccolo + Spoleto PHOTO ESSAY: How the Immanuel Wilkins Quartet spends time in Charleston by Desi Gillespie June 10, 2023June 13, 2023
Posted in2023 Piccolo + Spoleto Tank and the Bangas to headline Spoleto finale Sunday by Timia Cobb June 9, 2023June 10, 2023
Posted in2023 Piccolo + Spoleto Reviews: Gravity & Other Myths, “Octave,” “UnShakeable by C.M. McCambridge, Joyelle Ronan and Timia Cobb June 9, 2023June 9, 2023
Posted in2023 Spoleto Ibrahim brings patient, playful stylings here June 8 by C.M. McCambridge June 8, 2023June 8, 2023
Posted in2023 Piccolo + Spoleto “UnShakeable” opera reunites lost loves through Shakespeare by Tania Ortiz June 8, 2023June 8, 2023
Posted in2023 Piccolo + Spoleto Review: “Density 40:1” brings fresh take to classical form by Tania Ortiz June 8, 2023June 8, 2023
Posted in2023 Piccolo + Spoleto “Black Music Is” provides experience outside textbook history by Aiyana Hardy June 7, 2023June 7, 2023
Posted in2023 Piccolo + Spoleto Five Spoleto Sips to taste before the festival finale by Piper Starnes, Natalie Rieth and Desi Gillespie June 7, 2023June 7, 2023
Posted in2023 Piccolo + Spoleto PHOTO ESSAY: Piccolo Spoleto performances fill Holy City pews by Desi Gillespie June 6, 2023June 6, 2023