Posted inJazz, Blues, & Roots, Spoleto 2017 Dee Dee Bridgewater offers hot tunes to a tepid crowd by Kristen Kornbluth May 26, 2017
Posted inOpera/Musical Theater, Spoleto 2017 Dangerous Liaisons gets a reboot, in a bunker by Stratton Lawrence May 24, 2017
Posted inOpera/Musical Theater, Spoleto 2017 Is Eugene Onegin one of the rare feminist operas? by Kinsey Gidick May 24, 2017
Posted inOpera/Musical Theater, Spoleto 2017 The Charleston Performing Arts Center brings the story of Princess Di to life through music by Mary Scott Hardaway May 24, 2017
Posted inFeatures, Spoleto 2017 Asking the tough questions of Spoleto’s 41st season by Maura Hogan May 24, 2017
Posted inSpoleto 2017, Theater Henry Naylor’s Angel is based on a real life Middle Eastern soldier by Kelly Rae Smith May 24, 2017
Posted inJazz, Blues, & Roots, Spoleto 2017 Pedrito Martinez Group’s rumba transports audiences to Cuba by Stratton Lawrence May 24, 2017
Posted inSpoleto 2017, Theater Aurélia Thierrée straddles the line between imagination and madness by City Paper Staff May 24, 2017October 11, 2021
Posted inSpoleto 2017, Theater Finding the humanity in Waiting for Godot by Dustin Waters May 24, 2017
Posted inDance, Spoleto 2017 Honji Wang and Sébastien Ramirez get personal in the dance duet Monchichi by Matt Dobie May 24, 2017