Posted inDance, Spoleto 2018 Dorrance Dance repurposes its roots while bounding into the future of tap by Dustin Waters May 30, 2018
Posted inSpoleto 2018, Theater Piccolo’s Grounded brings the battle home in a gripping one-woman show by Dustin Waters May 30, 2018
Posted inSpoleto 2018, Theater The #MeToo movement breathes new life into Piccolo’s for colored girls by Dustin Waters May 30, 2018
Posted inSpoleto 2018, Visual Arts Redux’s director, Cara Leepson, steers the arts organization in new directions by Vincent Harris May 30, 2018
Posted inSpoleto 2018, Theater David Lee Nelson’s one-man show about cancer is a comedic cure-all by Kinsey Gidick May 29, 2018
Posted inSpoleto 2018, Theater 5th Wall Theater tackles sensitive topics with grace in Crazy Bitch by Mary Scott Hardaway May 29, 2018
Posted inJazz, Blues, & Roots, Spoleto 2018 Jazzmeia Horn takes her throne as the new queen of scat by Stratton Lawrence May 29, 2018
Posted inOpera/Musical Theater, Spoleto 2018 ‘Il matrimonio segreto’ combines an orchestra, marionettes, and relationship hijinks by Stratton Lawrence May 29, 2018
Posted inJazz, Blues, & Roots, Spoleto 2018 A last minute venue shift demonstrated the Fred Hersch Trio’s mastery of improv by Stephanie Hunt May 28, 2018
Posted inSpoleto 2018, Theater Can a play be too timely, too powerful? The Salvage Company proves “no.” by Stephanie Hunt May 28, 2018
