Posted inDance, Spoleto 2019 Dance Matters’ Coming to Monuments sets Marcus Amaker’s defiant verses in motion by Stephanie Hunt May 23, 2019
Posted inConcert & Choral, Spoleto 2019 Bank of America Chamber Music is a fest favorite for a reason by Stephanie Hunt May 23, 2019
Posted inSpoleto 2019, Visual Arts Witnessing Charleston through William Halsey’s end-of-life works by Enid Brenize May 23, 2019
Posted inSpoleto 2019, Theater Salome’s stars consider the psychological aspects of the opera’s characters and story by City Paper Staff May 22, 2019October 11, 2021
Posted inSpoleto 2019, Theater Roots builds upon a rich tapestry of folktales to unwind universal truths by Dustin Waters May 22, 2019
Posted inJazz, Blues, & Roots, Spoleto 2019 Esperanza Spalding’s butterfly phase by Stratton Lawrence May 22, 2019
Posted inJazz, Blues, & Roots, Spoleto 2019 The Punch Brothers’ return to the Cistern is also a homecoming by Stratton Lawrence May 22, 2019
Posted inConcert & Choral, Spoleto 2019 City Symphonies blends historical footage with postmodern scores in a celebration of urban spirit by Melissa Hayes May 22, 2019
Posted inFeatures, Spoleto 2019 Spoleto Festival USA 2019: Less opera, more theater, and a new finale spot by Maura Hogan January 3, 2019