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Charleston City Paper

Charleston City Paper

Category: Piccolo/Spoleto 2022

Posted inPiccolo/Spoleto 2022

PREVIEW: Machine de Cirque’s ‘La Galerie’ celebrates the messiness of creation

by Katherine Kiessling June 4, 2022June 2, 2022
Posted inPiccolo/Spoleto 2022

PICCOLO REVIEWS: Meet Dacre Stoker and the Charlestones

by Gabriel Veiga and Riley Utley June 3, 2022June 3, 2022
Posted inPiccolo/Spoleto 2022

REVIEW: ‘The Approach’ shows you can have complicated friendships

by Tina Zhu June 3, 2022June 6, 2022
Posted inPiccolo/Spoleto 2022

REVIEW: Spirituals tell stories of despair, hope

by Nat Bono June 3, 2022June 3, 2022
Posted inPiccolo/Spoleto 2022

REVIEW: Allison Russell uplifts in June 1 Spoleto performance

by Gabriel Veiga June 3, 2022June 3, 2022
Posted inPiccolo/Spoleto 2022

Live theater makes a triumphant return

by Ellen E. Mintzer June 3, 2022June 3, 2022
Posted inPiccolo/Spoleto 2022

PREVIEW: Q&A with ‘The Street’ harpist Parker Ramsay

by Tina Zhu June 3, 2022June 2, 2022
Posted inPiccolo/Spoleto 2022

REVIEW: ‘Ballet Encore’ delivers a celebration of dance

by Katherine Kiessling June 2, 2022June 2, 2022
Posted inPiccolo/Spoleto 2022

PREVIEW: Q&A Linda May Han Oh and Fabian Almazan

by Tina Zhu June 2, 2022June 2, 2022
Posted inPiccolo/Spoleto 2022

REVIEW: Music in Time performance offered powerful themes

by Riley Utley June 2, 2022June 2, 2022

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