Posted inPiccolo/Spoleto 2022 PREVIEW: New Chorus offers new energy, new hope by Tina Zhu June 1, 2022June 1, 2022
Posted inPiccolo/Spoleto 2022 Post-Life Crisis makes its Piccolo debut by Gabriel Veiga June 1, 2022June 3, 2022
Posted inPiccolo/Spoleto 2022 Dive into Piccolo Spoleto’s visual arts offerings by Nat Bono June 1, 2022June 3, 2022
Posted inPiccolo/Spoleto 2022 PREVIEW: Dael Orlandersmith’s ‘Until the Flood’ brings profound histories to life by Ellen E. Mintzer June 1, 2022June 1, 2022
Posted inPiccolo/Spoleto 2022 PREVIEW: Tyshawn Sorey brings spontaneity to classical, jazz music by Riley Utley June 1, 2022June 1, 2022
Posted inPiccolo/Spoleto 2022 REVIEW: ‘Unholy Wars’ is powerful, emotionally packed by Gabriel Veiga May 30, 2022June 1, 2022
Posted inPiccolo/Spoleto 2022 REVIEW: Storm Large embraces the messiness of life by Katherine Kiessling May 30, 2022May 30, 2022
Posted inArts & Entertainment, Arts+Movies, Culture, Arts & Entertainment, Piccolo/Spoleto 2022 PREVIEW: A backwards ‘La bohème’ lives happily ever after by Nat Bono May 29, 2022June 1, 2022
Posted inPiccolo/Spoleto 2022 PREVIEW: Tabea Debus wields an instrument of expressive variety by Nat Bono May 28, 2022June 1, 2022
Posted inPiccolo/Spoleto 2022 PREVIEW: Reggie Wilson/Fist and Heel Performance Group harness the ‘POWER’ of Black Shakers by Katherine Kiessling May 27, 2022June 1, 2022